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Japanese Kamakura Bori Lacquer Covered Box Meiji browse these categories for related items... All Items: Antiques:Regional Art:Asian:Japanese:Lacquer: Pre 1920: item # 918528 Please refer to our stock # 11E-144 when inquiring.
B & C Antiques P. O. Box 291 Derby, CT 06418 203-929-7312 Guest Book $290 |
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This elegant red kamakura-bori or negoro-nuri lacquer round box with cover is beautifully decorated with high relief carved chrysanthemum blossoms and leaves. Likely an incense storage container or kogo, it dates to the Meiji period (1868-1912). The top is exquisitely carved in great detail with an open chrysanthemum blossom surrounded by additional flower heads and leaves. The bottom is fully carved as well, with flower heads and leaves on the exterior sides and a most unusual symbolic motif on the bottom. The red lacquer is a subtle and mellow shade closer to burgundy, and it has none of the garish orange/red hue of more modern red cinnabar lacquer. The original patina is quite rich. The inside is finished with black roiro-nuri lacquer, a technique wherein the highest quality black urushi lacquer is applied and polished in several layers. Kamakura-bori is a type of Japanese lacquer ware in which wood is carved in relief and then usually covered with many layers of black lacquer, followed by layers of red lacquer, which are then rubbed down, revealing the subtle color underneath. Kamakura-bori was invented to resemble the more difficult and time-consuming Chinese lacquer-carving technique known as cinnabar style or “tsuishu.” Chinese lacquer incense containers were popular in Japan since the 12th century. Skilled Japanese craftsmen were soon able to equal and surpass Chinese examples. The uncluttered beauty of this type of carved lacquer incense container was favored by the Japanese for use with the tea ceremony ritual. Because of the Japanese preference for “sabi” and “shibui,” the very simplicity and unaffectedness of kamakura-bori lacquer works make them special favorites among connoisseurs. The chrysanthemum (“kiku”) is probably the most frequently represented flower in all of Japanese art, affording the artist an opportunity to display his skill through his portrayal of its graceful form. A symbol of superior character, the light of the sun, long life and virtue, the chrysanthemum has been respected since ancient times and long been revered for its beauty and elegance. The sixteen-petaled chrysanthemum forms the crest of Japan’s imperial household. CONDITION is excellent, with only minor crazing in the black lacquer interior which is consistent with age and usage. DIMENSIONS: 2 ¾” (7 cm) diameter, 1 ¼” (3.3 cm) high. |
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