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Arita Sometsuke Ozara Charger With Eight Views of Omi

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All Items: Antiques:Regional Art:Asian:Japanese:Porcelain: Pre 1920: item # 888851

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B & C   Antiques
P. O. Box 291
Derby, CT 06418
203-929-7312

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$950

Arita Sometsuke Ozara Charger With Eight Views of Omi
This striking large Japanese Imari “sometsuke ozara” (blue and white porcelain charger) is hand painted with an underglaze blue design of “Omi-Hakkei” (Eight Views of Omi) within overlapping medallions set against a background of layered waves. Meiji period (1868-1912). There are eight medallions in round, square and fan shapes, each containing a different scenic view. The layered waves, composed of chevrons or half-circles and looking as if combed, are known as “seigaiha, the blue wave pattern. Traditional Japanese art treats water, even the blue water of seas and oceans, in a stylized, linear fashion rather than handling it as a colored mass, as is the case in Western art. The juxtaposition of the Omi-Hakkei medallions against the seigaiha wave pattern is an extremely appealing decorative technique. A more freely drawn blue wave pattern decorates the outer rim on the reverse.

The Omi Hakkei are the eight most beautiful scenic spots in the southern part of Lake Biwa, the largest lake in Japan. Ando Hiroshige's series of woodblock prints entitled “Eight Views of Omi” became famous for depicting these vistas. A similar ozara decorated with this motif is illustrated in Figure 116 in the rare limited edition book “Sometsuke Imari Ozara” (“Imari Ware: Blue and White Large Dishes”) by Masahiko Kawahara, Tokyo,1974.

Oversized dishes (“ozara”) first became popular among the wealthy urban elite in the 16th century, and paintings since the Edo period often depicted ozara as an important part of the décor for formal gatherings. In the 19th century, when ordinary townspeople had become affluent and restaurants multiplied, the popularity of large blue and white dishes became even more widespread. In response to this new affluence, large dishes were produced in some quantity and sold throughout Japan. With the penetration of urban culture to rural districts due to improved land and sea transportation, Arita porcelain became widely distributed, and many of these oversized dishes were used at large dinner parties held by leading families in rural districts.

Arita is a town on the island of Kyushu which has been a center of Japanese porcelain production since the seventeenth century. With Arita blue and whites, the blue is produced from a cobalt or indigo pigment and is painted straight onto the biscuit, after which the piece is glazed and fired. Ceramics for everyday use were made at the same kilns that were producing highly ornate, purely decorative wares primarily for export. Blue and white sometsuke porcelain ozara in this style were made for the domestic Japanese market, and they are prized by Japanese collectors today.

CONDITION is excellent with no chips, cracks or repairs. There are just a few tiny kiln burns and glaze pinholes, all of which are from production and are not unusual on this type of ware. DIMENSIONS: 16” (41 cm) diameter, 2” (5 cm) deep.



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