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Japanese Meiji Indigo Cotton Futon Cover Noshi Design

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All Items: Antiques:Regional Art:Asian:Japanese:Textiles: Pre 1910: item # 635244

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B & C   Antiques
P. O. Box 291
Derby, CT 06418
203-929-7312

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$575

Japanese Meiji Indigo Cotton Futon Cover Noshi Design
This striking Japanese “futongawa” or “futonji” has been skillfully hand drawn and boldly decorated with the gracefully tied “noshi” design using a rice paste resist design technique called “tsutsugaki.” Meiji period (1868-1912). The artistic motif which represents noshi – several long strips gathered in the middle – is among the most distinctive in the Japanese design repertory. Noshi were originally thin strips of dried abalone attached to a gift presented at propitious events. Their symbolic qualities are longevity and felicitous relationships, the tie in the center signifying a close and binding unity. (Futon covers decorated with various noshi designs are illustrated in Figures 26 to 38 in the sumptuous book “Tsutsugaki Textiles of Japan.”)

This futon cover is made of four panels of hand spun woven cotton that have been hand sewn together to make a large rectangle. This is the only way authentic old futon covers were made in Meiji Japan because loom widths were narrow, typically 12 to 14 inches. The assembled futon cloth was then dyed using a rice paste resist and all natural dyes for the colors. Indigo textiles were the fabric of the countryside in Japan, and they are wonderful examples of Japanese folk art or mingei.

The tsutsugaki technique involves freely drawn designs that are applied to cotton with paste resist squeezed through a paper cone having a tubular metal tip. The textile is then dipped repeatedly in indigo dyes. Where the paste lines had once been, white lines now remain, outlining the design in sharp contrast to the deep indigo blue background. Country dyers produced tsutsugaki textiles -- often with mythical and auspicious designs such as this one -- as bedding, wrapping clothes, banners and celebratory textiles for weddings, births and other important events. These tsutsugaki textiles were part of a bride’s trousseau which parents prepared for their daughter as a prayer for the well being of her new family as well as her happiness, so great care was taken in their handling as they were regarded as necessary for an auspicious future.

CONDITION is good, consistent with age and usage. There are three small old patched holes a couple of stains, but these do not distract from the drama of the piece. The cotton fabric is soft and subtle with a mellow fading to the dark indigo color, indicating that it has probably been washed several times over the decades. This extremely attractive large textile panel would make a very dramatic wall hanging or table covering.

DIMENSIONS: 51 ½” (130.8 cm) long x 48” (122 cm) wide.



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