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Antique Japanese Indigo Cotton Tsutsugaki Futon Cover browse these categories for related items... All Items: Antiques:Regional Art:Asian:Japanese:Textiles: Pre 1900: item # 625516 Please refer to our stock # 12-189 when inquiring.
B & C Antiques P. O. Box 291 Derby, CT 06418 203-929-7312 Guest Book $850 |
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Using a rice paste resist design technique called “tsutsugaki,” this dramatic Japanese “futongawa” or “futonji” folk textile has been skillfully hand drawn and decorated with origami cranes, pine trees and snow. Meiji period, late 19th century. In the center of the cover is a family crest (“mon”) in melon (“mokko”) form. Surrounding the mon and filling each of the four corners are pine trees in the snow accented with folded paper “origami” cranes. The crane (“tsuru”) is one of the luckiest and happiest symbols in Japanese animal lore, and it is most closely associated with the New Year and with marriage ceremonies. Japanese children learn to fold paper cranes, and one thousand origami cranes (“senbazuru”) are strung together when making a special wish for oneself of another person. The pine (matsu) is an evergreen, which led to the tree becoming a symbol of longevity, good fortune and steadfastness. Not only a symbol of long life, it is also a symbol of both winter and the New Year. This futon cover is made of four panels of coarse hand spun woven cotton that have been hand sewn together to make a large rectangle. This is the only way authentic old futon covers were made in Meiji Japan because loom widths were narrow, typically 12 to 14 inches. The assembled futon cloth was then dyed using a rice paste resist and all natural dyes for the colors. Indigo textiles were the fabric of the countryside in Japan, and they are wonderful examples of Japanese folk art or mingei. The tsutsugaki technique involves freely drawn designs that are applied to cotton with paste resist squeezed through a paper cone having a tubular metal tip. The textile is then dipped repeatedly in indigo dyes. Where the paste lines had once been, white lines now remain, outlining the design in sharp contrast to the deep indigo blue background. Country dyers produced tsutsugaki textiles -- often with mythical and auspicious designs -- as bedding, wrapping clothes, banners and celebratory textiles for weddings, births and other important events. These tsutsugaki textiles were part of a bride’s trousseau which parents prepared for their daughter as a prayer for the well being of her new family as well as her happiness, so great care was taken in their handling as they were regarded as necessary for an auspicious future. CONDITION is excellent, consistent with age and usage. The color is a deep and vivid shade of dark indigo blue, with no fading, stains or tears. There are three small old patched holes, but these do not distract from the drama of the piece. The freshness and imagination in the work of tsutsugaki dyers has made tsutsugaki among the most sought-after of Japanese textiles, and such fine condition pieces are difficult to find in today's market. This extremely attractive large textile panel would make a very dramatic wall hanging or table covering. DIMENSIONS: 59” (150 cm) long x 51” (129.5 cm) wide. |
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