Japanese and Chinese antiques and art from B & C
All Items : Archives : Regional Art : Asian : Japanese : Pre 1970 item #659310 (stock #4-273)
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This absolutely charming Japanese folk toy of a dog is crafted from shoufu-nori paste and sawdust of paulownia wood and dates to the mid-late 20th century. The outer surface is covered with gofun (crushed oyster shell) which has been boldly hand painted with black spots and colorful facial features. A bordered red patterned silk jacket and bib is applied to the body, and a red silk crepe collar encircles the thick neck.

“Hariko” is a papier-mache folk toy...

All Items : Archives : Regional Art : Asian : Japanese : Pre 1920 item #723298 (stock #12-191)
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Dating to the Meiji period (1868-1912), this superb Japanese indigo tsutsugaki-dyed quilted bridal sleeping cover is called a “yogi” (literally “night wear”). It was made from100% hand loomed cotton that was stuffed with thick cotton batting and sewn into the shape of an extra-large kimono. This one is simply decorated with a family crest (“mon”) in a lighter shade of blue on the back side...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1960 item #746392 (stock #2-829)
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This superb Japanese porcelain dish, hand painted in underglaze blue and bright overglaze polychrome enamels, is the work of Kakiemon Sakaida XII (1878-1963). The highly refined milky white glazed body is decorated in the traditional Kakiemon palette of red, blue, green and yellow with a design of a butterfly hovering above chrysanthemums issuing from a rocky outcropping near a brushwood fence...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1900 item #1124937 (stock #6A-446P)
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Cast using the lost-wax method, this unusual low relief ornamental Japanese iron teapot (“tetsubin”) has a unique design in Chinese scholar taste (“bungin”). Meiji period (1868-1912). The heavy patinated bronze lid bears an engraved signature that reads “Shouun-do, Zo" (Shouun-do made). The subtle simplicity of the relief casting on this kettle is superb. The background design is composed of three panel segments covered with an overall low relief cast flower and stylized waves design...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1920 item #427894 (stock #9-093)
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This hand-carved Japanese statue depicts a standing Jizo, a bosatsu (Buddhist saint), wearing a Kesa robe. It dates to the early 20th century. Carved from solid stone (either granite or natural volcanic rock) in the image of a Buddhist monk with a shaven head, he stands with hands clasped in earnest prayer. His patient, gentle face is very tranquil, and his simply rendered facial expression reflects a deep inner peace and serenity...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1950 item #393267 (stock #7A-107)
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This celebrated image of a red temple in snow is unquestionably one of Hasui Kawase’s (1883-1957) most famous woodblock prints. Entitled “Zojo Temple in Snow, Shiba” from the Twenty Views of Tokyo series, it was originally published in 1925. This later woodblock edition of Hasui’s classic print illustrates the bright vermillion gate of the temple, large and angled, with a pine tree in the foreground...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1970 item #351230 (stock #2A-709A21)
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This impressive heavily-potted Hamada style Japanese ceramic plate is skillfully decorated with a transparent wax resist design against a brown, black and traditional kaki glazed background. Mid-20th century. The kaki glaze drips over the edge of the lip onto the transparent glaze covering the back in places. The high foot ring is unglazed.

Mashiko has been a major folk pottery center since the 1850’s producing primarily utilitarian table wares...

All Items : Archives : Regional Art : Asian : Japanese : Pre 1900 item #685731 (stock #12-164A22)
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This striking hand woven indigo dyed “futongawa” or “futonji” folk textile is made from medium weight hand spun “aizome” (indigo) dyed cotton. Meiji period, ca. 1880. It has a blue and white “kiku karakusa” (chrysanthemum and scrolling vine) pattern done in the traditional resist stencil-dyeing technique called "katazome." The resist used was rice paste, not wax, and the light weight hand-carved stencils (“katagami”) were made of mulberry paper coated with persimmon tannin...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1900 item #924744 (stock #6-457)
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This large deeply waisted Japanese bronze flower vessel with attached karashishi handles is signed “Echigo No Kami Saku” and dates to the mid to late 19th century. Cast in the unique futabana style, it has a classic low body, crisply cut shoulder and a wide flaring trumpet-shaped mouth. Positioned just above the shoulder are two applied karashishi (Chinese lions) handles cast in bronze in exquisite detail...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1900 item #836872 (stock #2-851)
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This stunning oversized Japanese sometsuke (underglaze blue and white porcelain) vase in bulbous form with small mouth and everted rim is meticulously hand painted with the dragon and wave motif. Signed by the sometsuke master Kato Gosuke IV (1839-1905), it dates to the early Meiji period. The heavily potted vase is decorated overall with two elongated five-toed dragons sinuously encircling the body amid stylized waves...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1920 item #537109 (stock #2-798)
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This lovely high shouldered porcelain vase made by distinguished studio potter Shofu Katei (1870-1928) is beautifully decorated with delicate bellflower blossoms and leaves. It is signed “Shofu” in underglaze blue and dates to the Meiji period, ca. 1910...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1910 item #1036438 (stock #2-870)
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Made by distinguished Japanese studio potter Shofu Katei (1870-1928), this lovely porcelain ovoid vase is skillfully decorated with a pair of elegant cranes on a lightly graduated underglaze pale mauve/pink ground and light blue foreground. Signed “Shofu” in underglaze blue on the base, it dates to the Meiji period, ca. 1910. Two large red headed white cranes, with black wing tips and throats, can be seen standing among rocks in shallow blue water. Their legs, beaks, eyes and the patches on ...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1800 item #1047857 (stock #2A-814A18)
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This heavily potted, glazed Seto stoneware dish with “shochikubai” design is known as a “fuki-zumi” plate because of the unusual technique of sprayed glaze decoration. Edo period, ca. 1800. One of the Six Ancient Kilns of Japan, Seto produced ceramic wares in Aichi Prefecture. The unique and dramatic effect on this plate was accomplished through the use of a stencil and brown pigment sprayed through a tube to create the outline of pine, plum and bamboo which seems to float on the soft br...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1910 item #97344 (stock #2B-586)
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This fine example of Hirado porcelain is a plate beautifully decorated with a scene of two blue and white cranes standing in water, all against a soft pale blue ground. Ca.1900. The pure white exterior of the bowl is decorated with three underglaze cobalt blue flower scrolls. The characteristic fine-grained milky white porcelain body is covered in a pure lustrous glaze. (For a nearly identical plate which was exhibited at the Art Asia Museum, see Catalog No. 38 on page 68 of “Hirado Ware” by...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1900 item #1182749 (stock #2C-200)
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This distinctive turnip-shaped Japanese stoneware sake bottle (“tokkuri”) with slip-trailed calligraphy was produced at the Otani kilns in Shikoku and dates to the mid-19th century. The heavily potted bottle was crafted in a marvelous shape known as “kabura” (turnip). The way in which the pot ascends into great swelling shoulders fully reflects the hard work that went into making it. The kanji characters for sake have been freely trailed with white slip glaze over the thick ash-speckled ...
All Items : Archives : Regional Art : Asian : Pre 1900 item #444142 (stock #3-161)
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This important 19th century Chinese incense clock, crafted in copper the form of a double “pi” disc, is one of the designs illustrated in the rare book of Ting Yun’s incense clocks. The single compartment has an interior recessed tray to hold the incense seal template and damper, both made of paktong (an alloy of zinc, copper and nickel which had the lustrous sheen and color tone of silver). It sits on a footed base compartment made of copper. The copper lid, body and base are trimmed in b...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1920 item #364891 (stock #11A-108)
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This handsome miniature chest of drawers (“ko dansu” or “ko bako”) is meticulously hand crafted with contrasting hardwood inlays in an overall diagonal checkerboard pattern. Meiji period (1868-1912). On both sides of the chest, cut out finger holes are carved in the shape of pine boughs to facilitate lifting and carrying the chest. There are four drawers in varied shapes and sizes, and the original drawer pull hardware is bronze. With the exception of the bottom, the entire surface of th...
All Items : Archives : Regional Art : Asian : Japanese : Pre 1930 item #597667 (stock #9-098)
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This endearing form of a Japanese welcoming or beckoning cat ("maneki neko") is hand carved from a piece of solid granite or volcanic rock with both quartz and mica inclusions. Early 20th century, Taisho/early Showa period. Sporting a carved collar and bell around its neck, the cat is seated with its right paw raised to beckon customers and fortune into shops. The signboard it is holding in front may have had an auspicious saying like "Good Luck" or "Happiness" carved into it at one time, but th...