Tetsubin were popular in Japan as everyday household utensils and for informal and semi-formal tea drinking. During the second half of the 19th century, tetsubin made especially as tea utensils came to be highly esteemed. They were often elaborately decorated with cast iron ornament or with inlays. Fine ornamental tetsubin of this type were preferred by the upper classes for the sencha style tea ceremony. Tetsubin can be classified according to their level of quality, separating those of higher technical quality and more decorative external features – the so-called “ornamental” kettles – from those of lower technical quality and less decorated ones. High relief ornamental tetsubin like this one are magnificent examples of Japanese ironwork which are very much sought after by collectors today.

CONDITION is excellent, with normal vestiges of rusting.

The spectacle of deep-orange persimmon heavy on the bough is one of Japan’s great visual delights. The dried fruits of the kaki are strung together on a thin bamboo stalk and offered to the domestic gods at the New Year.

CONDITION is excellent with only minor surface wear consistent with age and usage.

DIMENSIONS: 3 ½” (9 cm) high to top of pot; 6 ¾” (17.2 cm) high to top of handle; 4” (10.2 cm) diameter.

The quality of the relief casting is superb. It is bold and strongly rendered, exceeding half an inch (13 mm) in depth in some places. The body of the kettle surrounding the smooth recessed panels is roughly textured, and the top edge is cast with random hollows and depressions. This edge reflects “intentional damage” cast specifically to add the appearance of great age and antiquity to the tetsubin. (A tetsubin similar in style and high relief casting is illustrated in Figure No. 162 in TETSUBIN by P.L.W. Arts.)

Fine ornamental tetsubin of this type were preferred by the upper classes for the sencha style tea ceremony. A common characteristic of sencha kettles was that one side more heavily decorated than the other. In the sencha tea ceremony a tetsubin, held by the host in his right hand, is looked at by the guest with the spout pointing to the right. This is the side of the tetsubin which is usually more ornately decorated in order to enable the guest to admire the kettle’s “best” side. High relief ornamental tetsubin like this one are magnificent examples of Japanese ironwork which are very much sought after by collectors today.

CONDITION: The iron kettle is in perfect condition with only normal rusting on the interior. The bronze lid has lost its finial although the fixing rod is still firmly present.

The lotus (“hasu”) is a water flower that rises above large fan-shaped leaves, growing in still, shallow bodies of fresh water and mud. Buddhist traditions hold that the lotus is a sacred flower. In secular Chinese art, the lotus has many auspicious meanings, variously symbolizing harmony, love, sympathy and prosperity. Boxwood, the hardwood of choice for Japanese carvers, is usually carved into smaller items such as netsuke and okimono, so a boxwood carving in this size is quite unique and rare.

Tetsubin are cast iron water kettles which were popular in Japan as everyday household utensils and for informal and semi-formal tea drinking. During the 19th century, tetsubin made especially as tea utensils came to be highly esteemed. Fine ornamental tetsubin were preferred by the upper classes for the sencha style tea ceremony, which was less formal and proscribed than the “chanoyu” tea ceremony.

During the 18th century, a craze had developed in Japan for bunjin, the art and culture of the Chinese literati scholar/painter. One of their daily customs was the drinking of sencha. This custom was adopted by the growing class of Japanese Confucian scholars. The artistic situation in Kyoto around 1800 was influenced by the activities of these Japanese literati, and the sencha cult became one of their favorite pastimes. The interest in sencha soon spread from the bunjin-enthusiasts to the common people in Kyoto, especially to the rich merchants. By using the lost-wax method, metal casters were able to make relief decorated tea utensils in the style of the bunjin, which specifically suited the tastes of the sencha enthusiasts at that time. High relief ornamental tetsubin like this one are magnificent examples of Japanese ironwork which are very much sought after by collectors today. Tea enthusiasts would also value the simplicity, unaffectedness and imperfection that exemplifies the wabi/sabi aesthetic found in this kettle.

CONDITION excellent; there is normal interior rusting consistent with age and usage.