Mt. Fuji is painted in a soft grayish off-white tone, and its snow-capped peak is rendered in low relief with stark white slip glaze. The peak of the sacred mountain rises up against the palest of blue skies, which fades to an even lighter shade as it approaches the edge of the plate. The exterior rim is completely covered in a soft celadon (“seiji”) glaze, which surrounds the brilliant white glazed base and four-character Senpoen mark. The low foot rim is unglazed, showing a very pure, fine-grained and high-quality white porcelain clay.

Hirado wares are considered to be among the finest porcelains ever made in Japan, and they are highly prized among today’s collectors. Hirado was produced at Mikawachi near Arita, and for much of its history was made under the patronage of the lords of Hirado. Aristocratic patronage ended in the 1830’s with the commercialization of the kilns; however, the quality of Hirado remained very high. Hirado ware consists of a very pure, fine-grained and high-quality white porcelain, usually decorated in underglaze cobalt blue. It is characterized by highly refined white clay that would be fired to high temperatures, and the glaze was lustrous and void of any kind of granulation.

The lotus (“hasu”) is a water flower that rises above large fan-shaped leaves, growing in still, shallow bodies of fresh water and mud. Buddhist traditions hold that the lotus is a sacred flower. In secular Chinese art, the lotus has many auspicious meanings, variously symbolizing harmony, love, sympathy and prosperity.

Oversized dishes (“ozara”) first became popular among the wealthy urban elite in the 16th century, and they were made at the Arita kilns for the feudal lords (daimyos) for food service at banquets or at other ceremonial events. In the early 19th century, when ordinary townspeople had become affluent and restaurants multiplied, the popularity of large blue and white dishes became even more widespread. In response to this new affluence, large dishes were produced in some quantity and sold throughout Japan. With the penetration of urban culture to rural districts due to improved land and sea transportation, Arita porcelain became widely distributed, and many of these oversized dishes were used at large dinner parties held by leading families in rural districts.

This huge thickly potted charger is an exceptional example of high quality sometsuke porcelain made for the Japanese market, and pieces of this size and quality are rare to find outside of Japan. Blue and white porcelains with karakusa designs are examples of wares made for the domestic Japanese market, and they are highly prized by Japanese collectors.

The reverse is simply decorated with underglaze blue kanji characters, and the base is marked with a blue mark character that says “deer” framed within a diamond. There is a hole at the base of the cask which once held a plug, and a metal carrying handle wrapped in bamboo has been fitted into the two porcelain loops on the top. Horizontal and vertical rope designs have been molded in high relief to simulate an actual straw-wrapped keg. A porcelain stopper molded in rope form has a cork lining to hold it securely in place. It is rare to find these casks with the original porcelain tops intact. See similar barrel form porcelain casks illustrated in Figure 123 of the article “Tokkuri and Friends” which appeared in ARTS OF ASIA magazine, January/February 1995.

This porcelain cask has been molded to resemble the straw-wrapped cypress kegs (“komokaburi”) used for transporting sake, with high relief molded “ropes” to hold the molded “straw wrapping” in place. During the Edo period, rural sake brewers needed a method of transporting their brew to the large cities. These large porcelain casks could be carried on pack horses or transported on special ships called “taru kaisen” or cask ships. Until the 1940’s, they continued to be used to dispense draft sake in shops. Customers would come into the shop with their own smaller ceramic bottles and have them refilled with their favorite brand. These large casks are handsome decorative items that make an appealing accent to any décor, either by themselves or recycled into lamps.